PGH Courier

The Shadow Press of the Steel City: An Exhaustive History of Minority Journalism in Pittsburgh

Executive Summary: The Fourth Estate in Exile

The history of journalism in Pittsburgh, Pennsylvania, is conventionally dominated by the narratives of industrial magnates and the mass-circulation dailies that chronicled their rise. However, beneath the headlines of the Pittsburgh Post-Gazette and the Pittsburgh Press lies a parallel, equally potent history: the “shadow press” of the city’s minority communities. For over 180 years, African American, Jewish, Asian American, and Latino populations in Western Pennsylvania have utilized the printing press not merely as a commercial vehicle for news, but as a fundamental instrument of survival, a weapon against systemic disenfranchisement, and a repository for cultural cohesion in the face of erasure.

This report provides a comprehensive, expert-level analysis of these publications. It traces the lineage of the Black press from the abolitionist radicalism of Martin Delany’s The Mystery in the 1840s to the global hegemony of The Pittsburgh Courier in the mid-20th century. It examines the Jewish press as a mechanism for navigating the delicate balance between American patriotism and Zionist identity. It uncovers the often-overlooked history of Asian American student newsletters that served as transnational political forums, and it documents the recent emergence of Latino media in a region historically defined by a black-white racial binary.

The significance of these newspapers extends far beyond the municipal boundaries of Allegheny County. Pittsburgh’s minority press, particularly during the 1930s and 1940s, functioned as a national “shadow government” for African Americans, setting political agendas—such as the seismic shift from the Republican to the Democratic Party—and articulating demands for civil rights that the mainstream “white” press systematically ignored or derided. Similarly, the Jewish and immigrant presses served as vital lifelines for assimilation and cultural preservation, creating a “public sphere” where marginalized groups could debate their future without the gaze of the dominant culture.

The Demographic Crucible of Western Pennsylvania

To understand the trajectory of these newspapers, one must first understand the demographic engine of Pittsburgh. As a distinct industrial hub, the city attracted specific waves of migration that necessitated specialized media outlets:

Part I: The Abolitionist Roots and the Pre-Civil War Black Press (1840s–1900)

Long before Pittsburgh became known as the “Steel City,” it was a pivotal logistical node on the Underground Railroad and a fierce battleground for abolitionist thought. The origins of the minority press in the region are rooted not in commerce, but in the desperate, existential struggle for physical freedom.

Martin Delany and The Mystery (1843–1847)

The genesis of Black journalism in Western Pennsylvania is inextricably linked to Major Martin Robison Delany, a figure of monumental importance often cited as the “father of Black Nationalism.” Born free in Charles Town, Virginia (now West Virginia) in 1812, Delany was forced to flee to Pennsylvania after authorities discovered his mother was teaching her children to read—a violation of Virginia’s draconian anti-literacy laws for black people.[8, 9]

Settling in Pittsburgh in 1831, Delany studied under Reverend Lewis Woodson and eventually founded The Mystery in 1843.[10] This publication was historically significant for several reasons:

  1. Geographic Pioneer: It was the first African American newspaper published west of the Allegheny Mountains, a distinction that gave it unique influence over the growing black populations in the Ohio Valley and the Midwest.[9, 11]
  2. Intellectual Rigor: The paper’s masthead bore the biblical inscription, “And Moses was learned in all the wisdom of the Egyptians.” This was not merely a religious flourish; it was a deliberate assertion of African intellectual heritage and a precursor to Pan-Africanist thought.[10]
  3. Radical Content: Unlike later, more commercially minded papers, The Mystery was a pure abolitionist organ. It vehemently opposed slavery, the Fugitive Slave Laws, and the practice of “kidnapping”—the abduction of free black people by slave catchers, a constant terror in border regions like Pennsylvania.[12]

The Fiddler Johnson Libel Case and the Costs of Advocacy

The perils of black journalism in the 1840s were exemplified by the demise of The Mystery. In 1846, Delany used his platform to accuse a black man named “Fiddler” Johnson of being a slave catcher—a traitor to the race assisting in the recapture of fugitives. Johnson sued for libel. In a legal system staked heavily against black defendants, Delany was convicted and fined $650, a ruinous sum for the era.[13, 14]

While white abolitionist colleagues and newspaper supporters helped pay the fine, the financial strain was insurmountable. Delany was forced to transfer ownership of the paper to the African Methodist Episcopal (AME) Church in 1847. The AME Church renamed the paper the Christian Recorder, which remains the oldest continuously published African American newspaper in the world, though its operations eventually moved out of Pittsburgh.[10, 15] Delany subsequently joined Frederick Douglass in Rochester, New York, to co-edit The North Star, carrying the radical spirit of Pittsburgh journalism to a national stage.[16, 17]

The Void and the White Press (1847–1910)

Following the closure of The Mystery, Pittsburgh’s black community lacked a consistent, high-quality editorial voice for nearly sixty years. While Pennsylvania as a state saw a high volume of black periodicals (14 between 1838 and 1906), Pittsburgh specifically suffered from a lack of representation.[1, 11]

The mainstream white dailies, such as the Pittsburgh Press and the Pittsburgh Gazette, largely ignored the black community or relegated its news to segregated columns. These sections, often titled “Afro-American News,” focused primarily on sensationalized accounts of crime, social gossip, or “sordid material” that reinforced negative stereotypes rather than addressing substantive political or economic issues.[1] This media vacuum created a hunger for a publication that would treat African American life with dignity and seriousness, setting the stage for the emergence of the Courier.

Part II: The Titan of the Hill – The Pittsburgh Courier (1910–1966)

The Pittsburgh Courier is arguably the most significant institution in the history of Black Pittsburgh and one of the most influential African American organizations in 20th-century America. Its trajectory from a two-page sheet to a global powerhouse with 14 editions mirrors the rise of black political power in the United States.

Founding and Incorporation

The Courier was not founded by a media mogul, but by Edwin Nathaniel Harleston, a security guard at the H.J. Heinz food packing plant. Harleston, a self-published poet, began printing the paper in 1907 primarily as a vehicle for his own literary work and poetry, selling copies for five cents.[1, 18] However, the paper struggled financially and lacked a hard news focus.

In 1910, the paper was formally incorporated by a group of investors who saw the potential for a true community newspaper. This group included Robert Lee Vann, a brilliant young lawyer and one of only five black attorneys in the city.[1, 19] Vann initially served as legal counsel and treasurer, drawing up the incorporation papers, but he soon assumed the role of editor-publisher. It was under Vann’s stewardship that the Courier transformed from a local literary sheet into a national crusader for justice.

The Era of Robert Lee Vann (1910–1940)

Robert L. Vann is the central figure in the history of the Courier. Born in North Carolina to a mother who was a cook, Vann overcame immense poverty to graduate from the University of Pittsburgh’s law school—the first African American to do so.[19, 20] His editorial philosophy combined the economic self-help doctrines of Booker T. Washington with the fierce political advocacy of W.E.B. Du Bois.[20]

The “Loose the Shackles” Campaign (1932)

One of the most consequential political maneuvers in American history was orchestrated in the pages of the Courier. Since the Civil War and the Emancipation Proclamation, African Americans had been steadfastly loyal to the Republican Party, the “Party of Lincoln.” However, by 1932, frustrated by the GOP’s indifference to the economic devastation of black communities during the Great Depression, Vann advocated a radical paradigm shift.

In a famous speech in Cleveland and a subsequent editorial campaign, Vann told black voters to “go home and turn Lincoln’s picture to the wall,” signifying that the debt to Lincoln had been paid in full.[21] He urged a vote for Franklin D. Roosevelt and the Democrats. This shift was instrumental in realigning the black electorate, a demographic change that defines American politics to this day. The Courier did not just report on the election; it mobilized the “New Deal Coalition”.[22, 23]

As a direct result of this influence, Vann was appointed Special Assistant to the U.S. Attorney General in 1935, becoming a prominent member of FDR’s “Black Cabinet.” However, the relationship was fraught; Vann eventually resigned in 1936, disillusioned by the lack of real power and the persistence of segregation within the administration. By 1940, shortly before his death, he had returned to the Republican fold to support Wendell Willkie, demonstrating that his loyalty was to the race, not the party.[19, 22, 24]

Scope and Circulation Mechanics

By the late 1930s and 1940s, the Courier was the most widely circulated black newspaper in the United States, surpassing the Chicago Defender and the Afro-American.

The “Double V” Campaign (1942–1945)

The Courier’s most enduring contribution to the civil rights movement was the “Double V” campaign. Initiated in 1942 by a letter from a reader named James G. Thompson, the campaign articulated the paradox of black military service: fighting for democracy abroad while being denied it at home.[28, 29] Thompson wrote: “Should I sacrifice my life to live half American?”.[29]

The Courier adopted this sentiment and launched a full-scale propaganda campaign. They designed a “Double V” insignia—two Vs for two victories—which appeared on lapel pins, car stickers, and even in hairstyles.[29]

Table 1: The Dual Objectives of the Double V Campaign

Front Objective Methodology & Tactics
Victory Abroad Defeat of Fascism and Axis Powers Support for war bonds, military recruitment, and highlighting the bravery of Black troops (e.g., the Tuskegee Airmen).
Victory at Home Defeat of Racism and Jim Crow Demanding desegregation of the military, equal housing, voting rights, and fair employment in defense industries (Executive Order 8802).

The campaign was controversial. J. Edgar Hoover and the FBI monitored the Black press closely, viewing the Double V campaign as potentially seditious. There were discussions within the government of indicting Black publishers for treason, as the campaign criticized the US government during wartime.[30, 31, 32] However, the campaign galvanized Black America and is widely cited by historians as the ideological precursor to the modern Civil Rights Movement of the 1950s and 60s, as it radicalized a generation of returning veterans who refused to accept second-class citizenship after fighting for freedom abroad.[30, 33]

Sports and Integration: The Wendell Smith Era

The Courier did not just report on sports; it actively engineered the integration of Major League Baseball. Wendell Smith, the paper’s legendary sports editor, used his column to relentlessly attack the color line in professional baseball.[34]

Smith’s role went beyond journalism. He acted as a scout and agent, recommending Jackie Robinson to Brooklyn Dodgers owner Branch Rickey. When Robinson was signed, Smith traveled with him during his rookie year, serving as a mentor, companion, and bodyguard, ensuring favorable coverage and helping Robinson navigate the intense racism he faced.[34]

Simultaneously, the Courier provided vital coverage of the Negro Leagues, particularly the Pittsburgh Crawfords and the Homestead Grays, two of the premier teams in black baseball history. The paper served as the “official record” for these leagues, preserving statistics and stories that white papers ignored. The relationship was symbiotic; the success of the Negro Leagues drove newspaper sales, and the newspaper’s coverage built the stars’ legends.[35, 36]

Visual Journalism: Teenie Harris

While Vann provided the voice, Charles “Teenie” Harris provided the eyes. Working for the Courier from 1938 to 1975, Harris (known as “One Shot” for his ability to capture the perfect image on the first take to save money on flashbulbs) captured over 80,000 images of black life in Pittsburgh.[37, 38]

Unlike mainstream photographers who might parachute into the Hill District only for crime stories or disasters, Harris documented the full, nuanced spectrum of the African American experience:

Harris’s archive, now held by the Carnegie Museum of Art, is considered one of the most important visual records of 20th-century African American history, documenting the vibrancy of a community before urban renewal devastated the Hill District.[42, 43]

Part III: The Jewish Media Tradition

Parallel to the Black press, Pittsburgh’s Jewish community developed a robust network of publications. While the African American press was often fighting for basic constitutional inclusion, the Jewish press focused on community cohesion, Zionism, and navigating the complexities of assimilation, anti-semitism, and religious identity.

The Jewish Criterion and The American Jewish Outlook

Founded in 1895, The Jewish Criterion was the oldest English-language Jewish weekly in the region. It primarily served the established, often Reform, German-Jewish community.[4] As the community diversified with the arrival of Eastern European Jews, The American Jewish Outlook emerged to serve a broader, often more Conservative or Orthodox demographic.

These papers served as the “town square” for the community, publishing federation news, social announcements (weddings, bar mitzvahs), and editorial stances on world events. They were crucial in mobilizing support for the founding of Israel and advocating for Jewish refugees during and after the Holocaust.[5]

The Pittsburgh Jewish Chronicle (1962–Present)

In 1962, a significant consolidation occurred. The United Jewish Federation (now the Jewish Federation of Greater Pittsburgh) purchased both the Criterion and the Outlook, merging them into a non-profit publication: The Pittsburgh Jewish Chronicle.[44] This move was designed to create a unified voice for the community and ensure financial stability.

Civil Rights and Black-Jewish Relations

The Jewish press in Pittsburgh frequently aligned itself with the Civil Rights movement, reflecting the strong historical alliance between Black and Jewish leaders. Editorials in the Chronicle and its predecessors often drew parallels between the Jewish experience of persecution (the Holocaust, pogroms) and the African American struggle against Jim Crow.[45, 46]

However, this relationship faced a severe stress test during the 1968 Riots following the assassination of Martin Luther King Jr. The riots heavily impacted the Hill District, a neighborhood that had historically been Jewish but had become predominantly Black. Many of the businesses destroyed or looted were still Jewish-owned.[47, 48]

The Chronicle also played a unique role in covering Martin Luther King Jr.’s connection to the Jewish world, including his visit to Jerusalem in 1959, where he spoke of the tragedy of the divided city, a narrative preserved and revisited by the Jewish press.[50, 51]

Part IV: The Hidden Histories – Asian and Latino Voices

While the Black and Jewish presses were established institutions with large circulations and long histories, the Asian and Latino communities in Pittsburgh developed media footprints that were often more fragmented, informal, or recent, reflecting their different migration patterns and the specific challenges of their demographics.

Asian American Publications: From Erasure to Transnationalism

The history of Asian American media in Pittsburgh is often one of erasure and recovery. The city’s original Chinatown, a thriving community located near Grant Street and the Boulevard of the Allies, was largely demolished for highway construction in the 1920s.[7, 52] Consequently, a centralized “Chinatown newspaper” did not thrive in the way it did in San Francisco or New York.

Student Newsletters and the Intellectual Diaspora

In the 1970s and 1980s, the primary vehicle for Chinese-language media in Pittsburgh was the student newsletter. The University of Pittsburgh’s East Asian Library holds the largest collection of these newsletters in North America, a testament to the city’s role as an educational hub.[53]

These newsletters—titles often untranslated or varying by student association—were not merely campus bulletins. They served as vital political organs for overseas students:

The Organization of Chinese Americans (OCA)

As the Asian population stabilized and shifted from students to professionals and families, the Pittsburgh chapter of the OCA (Organization of Chinese Americans, founded 1973) began publishing newsletters. These publications marked a shift from “sojourner” politics to “settler” politics. They focused on civil rights within the United States, anti-Asian hate, cultural heritage, and the preservation of the memory of the lost Chinatown.[54, 55]

Latino Media Emergence

The Latino community in Pittsburgh has historically been smaller than in other major US cities, described by some observers as the “last great American city that has not been Latino-ized”.[6] Consequently, specific Latino media is largely a 21st-century phenomenon, emerging to serve a rapidly growing but dispersed population.

Part V: Decline, Transformation, and the Paradox of Integration

The Paradox of Success

The Pittsburgh Courier and similar minority papers faced an existential crisis in the 1960s, ironically caused by the very victories they fought for. This phenomenon is known as the “integration paradox.”

As the Civil Rights movement succeeded, mainstream white papers (like the Post-Gazette) began hiring Black reporters and covering Black news—often poaching the best talent from the Black press.[18]

By 1965, the Courier was in severe financial distress. It was purchased by John H. Sengstacke, owner of the Chicago Defender, who reorganized it as the New Pittsburgh Courier to avoid outstanding tax liabilities.[18, 59, 60] While it lost its national hegemony and its 14 national editions, it remained a vital local voice, continuing to publish to this day under the ownership of Real Times Media.[60]

Digital Transition and Modern Survival

In the 21st century, these minority publications have had to pivot again. The New Pittsburgh Courier has expanded into a multimedia enterprise with a “Digital Daily” edition, social media presence, and mobile apps to reach younger audiences.[61] Similarly, Pittsburgh Latino Magazine utilizes a hybrid print-digital model to connect a dispersed community.[58]

Part VI: Why They Mattered – A Legacy of Agency

The minority newspapers of Pittsburgh were never just “news” papers in the commercial sense. They were institutions of agency and architects of reality.

  1. Counter-Narrative: When white papers described the Hill District only as a slum or a crime scene, Teenie Harris showed it as a community of families, businesses, joy, and dignity. When the mainstream press ignored lynching, the Courier put it on the front page. They provided the “first draft of history” for communities that were otherwise written out of the American story.
  2. Political Mobilization: The Courier did not just report on the 1932 election; it decided the Black vote, fundamentally altering the American political landscape. The “Double V” campaign arguably did as much to prepare the ideological ground for the Civil Rights movement as any court case or protest march.
  3. Community Cohesion: For Jewish, Asian, and Latino populations, these publications prevented assimilation from becoming erasure. They maintained language, religion, and tradition while helping immigrants navigate the complexities of American identity.

In the final analysis, the history of Pittsburgh’s minority press affirms a fundamental truth: the ability to tell one’s own story is the first and most essential prerequisite of freedom. From Martin Delany’s defiance in 1843 to the bilingual advocacy of today’s Latino press, these publications have ensured that the voices of the “shadow city” will never be silenced.

Table 2: Key Minority Publications in Pittsburgh History

Publication Name Dates Active Community Key Figure(s) Primary Focus/Legacy
The Mystery 1843–1847 African American Martin Delany Abolitionism, Black Nationalism, first Black paper west of Alleghenies; reported on kidnappings.[10, 12]
Pittsburgh Courier 1910–1966 African American Robert L. Vann “Double V” Campaign, national political realignment (1932), sports integration, national circulation.[18, 59]
New Pittsburgh Courier 1966–Present African American John Sengstacke, Hazel Garland Continued local advocacy, “Voice of Black Pittsburgh,” survival through digital transition.[60, 61]
Jewish Criterion 1895–1962 Jewish M.K. Susman Reform Judaism, community news, early Zionist advocacy.[4]
Pittsburgh Jewish Chronicle 1962–Present Jewish UJF (Federation) Unification of Jewish voice, Civil Rights alliances, response to 1968 riots and antisemitism.[44, 47]
Student Newsletters 1970s–90s Chinese/Asian Various Student Assocs. Intellectual discourse on Taiwan/China relations, Baodiao movement, transnational identity.[53]
La Jornada Latina 2000s–Present Latino Brian Wiles Spanish-language news, connecting a dispersed workforce, health and legal info.[6]
Pittsburgh Latino Magazine 2020–Present Latino María Manautou-Matos Bilingual culture, business, and community empowerment; combating invisibility.[57]